残酷2018

  • Katrina Grey 仁科贵 亚矢乃 Naho Nakashima Butch Nanako
  • 120分钟
  • 更新时间:2020-10-23 02:29:13
  • Constantly on the hunt and suffering from hallucin…

    Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. Brutal takes an interesting approach to its visuals, drawing heavy influence from Weste Grindhouse films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the Grindhouse genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most Grindhouse productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of Brutal is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, Brutal poses a fun and entertaining challenge in that regard.

    电影《残酷2018》是由德国导演弗洛里安·赫因克尔(Florian Henckel von Donnersmarck)执导,斯文·纳特(Sven Nordin)、安德斯·丹尼尔森·李(Anders Danielsen Lie)等人主演的剧情片,于2018年8月31日在威尼斯电影节首映,随后在德国、美国等国家和地区陆续上映。该片讲述了毫无定力的画家库珀洛斯基在法西斯时期的德国,成为画家的浮华生活和被监视的真实生活交织在一起,形成一幅残酷的画卷。

    故事发生在1920年代的德国,主人公库珀洛斯基是一个没什么特别才华的画家,靠着父亲的关系维持着一份薄薄的收入。一次偶然的机会,他被指定创作国家领袖希特勒的一幅画像,从而引起了他的关注。库珀洛斯基在描绘希特勒的时候不仅做了一篇很好的自我鼓舞的演讲,还把一些薄弱的点都揣摩出来并修正了过来。这引起了希特勒的关注,希特勒亲自写信表示对库珀洛斯基的画像非常满意,并邀请他到伟大的元首的居所相会。当库珀洛斯基在看到希特勒的原始面貌之后,他深深的被感动了,开始迷上了纳粹这个恐怖组织。

    库珀洛斯基在纳粹的帮助下,在柏林度过了一段奢侈的生活,集中精力专注于艺术创作,但是随着时间的推移,他渐渐地认识到了这个组织的真实面目。身边的朋友一个个离开,而身后的纳粹残暴行径越来越明显。他开始怀疑自己的选择,但是在国家再次向他伸出橄榄枝的时候,他又选择了接受。

    电影《残酷2018》通过一个艺术家的成长故事呈现了德国历史上关于艺术和民族再生的纠葛。在这部电影中,弗洛里安·赫因克尔选择用和谐优美的画面描绘前纳粹时期的柏林,然而历史的残酷却通过他的镜头得到了完美地诠释,同时,该片也探讨了一个人对于自由和人性的选择,展现了一个平凡人在政治大时代背景下的命运际遇,以及他在纳粹统治下追逐艺术、坚守自我、生存挣扎的残酷人生。需要注意的是,电影中的人物和剧情都是虚构的,但是包含了很多真实的历史元素及相关的社会背景。

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